The underlying physical modelling has been refined, so that even long-standing instruments are said to have better “realism and acoustic presence”. Version 6 is improved in three main areas. What does Pianoteq 6 do that keeps it competitive? Ready In 6 The virtual piano market has never been more hotly contested. However, as Pianoteq has developed and improved, so has the sample-based opposition. And yet its fundamental nature has never changed: it doesn’t use samples at all, has a miniscule installation size (stand-alone and plug-in versions alike are about 50MB), and asks for no more than 256MB RAM. Along the way it’s turned its hand to not only acoustic pianos, but also historical fortepianos, Rhodes, Wurlitzer and Hohner electrics, as well as concert harps, steel drums and pitched percussion. Over its lifetime Pianoteq has improved steadily, from a proof-of-concept CPU-stretching upstart, to a rounded, refined, versatile and (most importantly) great-sounding virtual instrument. So it might come as a surprise, if you haven’t followed its development from the start, that Pianoteq is now 12 years old. Modartt’s modelled piano just keeps getting better.Īcoustic modelling instruments and plug-ins, which generate sounds from mathematical simulations of real materials, are still relatively thin on the ground, and can sometimes have a bit of a futuristic vibe. It also changes its backdrop and design depending on what type of instrument you’re playing. The user interface is by default quite compact, but scalable. Pianoteq 6, resplendent in polished black with its new Steinway & Sons branding, and with most of its extensive sound editing parameters exposed.

Review pianoteq 5